About
With intricate shimmering colors over fragments of tunes, SHEREE CLEMENT builds surprising narratives. She upends the listener’s expectations with politically charged texts, found sounds and unusual structures, all to wake us up to the upheaval, conflicting truths and possibilities of now.
Her works have been performed in New York at Merkin Hall and Miller Theatre, at the Tanglewood Music Center in Massachusetts, the Yerba Buena Center for the Arts in San Francisco, and at the Temple du Luxembourg, Paris, France. The New York Times has described her work as ‘intriguing’… ‘fascinating in its explorations of instrumental color’ [with] ‘arresting moments of calm’. Winner of a Guggenheim Fellowship, Sheree has had her works performed by Speculum Musicae, the San Francisco Contemporary Music Players, and the Canyonlands Ensemble in Salt Lake City.
Among her honors are grants from NYSCA and a Goddard Leiberson Award from the American Academy and Institute of Arts and Letters. Sheree holds composition degrees from the University of Michigan and Columbia University.
Sheree was President of the League of Composers / ISCM 2011-14 and Executive Director of the New York New Music Ensemble from 2014-2017. She remains on the Board of Directors of both organizations and is a member of NYWC. She enjoys connecting new music organizations with audiences and producing new music videos.
Links
Works List
Title | Year | Instrumentation | Extras | Link |
---|---|---|---|---|
A Quick Hello | 2024 | flute, violin, piano | n/a | |
Vocalise for the Naked Emperor | 2023 | oboe, piano, violin, viola, cello | n/a | |
Mermaid Songs | 2023 | female voice and string quartet |
Sheree ClementMermaid SongsThree vivid, funny and forthright songs about not giving up your dream to be a mermaid, friendships with sea urchins, champagne cocktail parties and chemotherapy. For female voice and string quartet. Text by Heather Hartley, from her book of poems, Adult Swim. Commissioned by Ariadne Greif and the Momenta String Quartet, Mermaid Songs is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Premiere October 15, 2024, at Symphony Space, in NYC. |
n/a |
Fast Fish | 2023 | flute, cl/ bs cl, piano, vln, cello |
Sheree ClementFast FishAn ode to freshwater fish. In four scenes, evoking sparkling ponds in spring, pristine streams, the grief from losing a fish population from overfishing and the gentle movement of magnificent Brook Trout huddling in a deep pool in hot, dry August. |
n/a |
Music From A Summer Afternoon | 1977 | full orchestra: 4-3-3-3, 3-4-2-1, 3 perc, celeste, harp, string sections |
Sheree ClementMusic From A Summer AfternoonFierce, high-energy tutti swirls contrast with gentle, reflective flute and celeste meditations. Premiered by the University of Michigan Philharmonia Orchestra, Stephen Osmond, conductor, Hill Auditorium, Ann Arbor, MI. |
n/a |
Teeth | 2021 | Piano, fixed media, spoken word |
Sheree ClementTeethTeeth, a short monodrama for piano, spoken word and fixed media, set in the year 2020, in which a woman faces her mind-bending isolation and struggles to comprehend the epidemic of death. Eliza Garth premiered it at Merkin Hall in March, 2023. The text for the work begins with this East African proverb, translated by A. M. Juster, continues with the traditional hymn, ‘Open My Eyes, That I May See’, and includes additional text by the composer. |
n/a |
Stories I Cannot Tell You | 2016 | 1-1-1-1, 1-1-2, 2 perc, piano, 5-5-4-3-2 |
Sheree ClementStories I Cannot Tell YouA lyrical, charming and then deeply foreboding and sinister meditation on being here (or not). In three movements, fast – slow – fast, played without pause. |
n/a |
Table Manners - for two high voices | 2020 | two sopranos, deskbells, silverware |
Sheree ClementTable Manners - for two high voicesTable Manners, a comedic duet or duel for two sopranos and 40 pounds of silverware, about friendship, competition and greed. In the livestream premiere a viewer described the work as ‘whimsical, passionate, intriguing, voluptuous... |
n/a |
Table Manners for high and low voices | 2024 | soprano and bass baritone |
Sheree ClementTable Manners for high and low voicesTable Manners, a comedic duet or duel for two sopranos and 40 pounds of silverware, about friendship, competition and greed. In the livestream premiere a viewer described the work as ‘whimsical, passionate, intriguing, voluptuous... |
n/a |
Soliloquy | 2015 | Horn in F |
Sheree ClementSoliloquyOpening with arching lines, this work veers between folk song and speech. in this solo work for the higher tessitura of the modern instrument, we hear a solo voice in the wilderness, singing to the trees. |
n/a |
Viola Trio | 2012 | viola, piano, cello |
Sheree ClementViola TrioWe rush forward through classical era tropes in four movements and just 13 minutes |
n/a |
Four Poems by Emily Dickinson | 2010 | SATB |
Sheree ClementFour Poems by Emily DickinsonFour short works that reach for her transcendentalist vision with rounds, catches and fragrant harmony. For four to sixteen singers. The 4 poems here are: |
n/a |
Glinda Returns | 1979 | fixed media in 4 or 2 channels |
Sheree ClementGlinda ReturnsAn homage to Glinda the good witch — the auntie looking out for us whom we all sorely need. For 4 channel audio. Composed in analogue media at the Columbia-Princeton Electronic Music Center. Premiered at McMillan Theatre, April 1979. Numerous additional ‘live’ and radio performances. |
n/a |
Thresholds | 1976 | 2 channel fixed media |
Sheree ClementThresholdsA snappy percussion study, handcrafted in 3M vinyl tape, using manual splicing and Ampex recording machines. Composed in analog media the University of Michigan Electronic Music Studio. Premiered by the University of Michigan Contemporary Music Players in Rackham Auditorium. Ann Arbor, MI. December 1976. Numerous additional live and radio performances. |
n/a |
Piano Preludes 1 - 13 | 1980 | piano solo |
Sheree ClementPiano Preludes 1 - 13Thirteen pieces between one and eight minutes long, speak with a personal, often private and poetic voice, querying, asserting and exploring. They range from epigrams to torrid essays. Can be played in any order, in any subset or combination. |
Subito |
Round Trip Ticket | 2007 | fl/picc, cl/bscl, 2 percussion, pno, vln, vc | Subito | |
String Quartet | 1985 | 2 violins, viola & violoncello |
Sheree ClementString QuartetTactical ducking and dodging, counterpoint and hockets with heartfelt tunes. |
Subito |
Variations / Obsessions | 1985 | fl, cl, tpt, vln, vc | n/a | |
Wherewith I Strive | 1995 | mezzo-soprano, harp, flute | Subito | |
Title | Year | Instrumentation | Extras | Link |